A6
B8
C10
D9
Answer:
B. 8
Read Explanation:
Bharata clarifies his point by using an analogy: just as people relish the rasa (flavours) of food
Prepared using various spices or condiments, so sensitive spectators relish the dominant or permanent emotions suggested by the acting out of the bhavas.
Bharata coined the term rasa for aesthetic relish because it can be tasted. For him bhava and rasa are inseparable.
There cannot be bhava without rasa and vice versa.
The eight permanent instincts whom he calls sthayibhava and which are inborn in every human being, produce eight emotions.
Sthayibhavas & Rasas are given below as:
Rati (love) > Shringara (erotic)
Hasa (laughter) > Hasya (comic)
Shoka (sorrow) > Karuna (pathetic/compassionate)
Krodha (anger) > Raudra (furious)
Utsaha (enthusiasm) > Vira (heroic)
Bhaya (fear) > Bhayanaka (terrifying)
Jugupsa (disgust) > Bibhatsa (disgusting)
Vismaya (wonderous) > Adbhuta (wonderful/awesome)
These rasas are aided by poetry, music and other histrionic devices called natyadharmi and are included under abhinaya.
They are presented through the three kinds of dramatic representation or abhinaya: that Which uses the body (angik), which uses speech (vachik), that which is involuntary (sattvik).
Therefore, they are called natya rasas.
Bharata coined the term rasa for aesthetic relish because it can be tasted: ‘rasa aswadan’.